[360 Video] 1. Pre-production / Filming

At the previous post, we said we will film 360 degree live music video.

[Example of 360 degree music video by Go Pro Omni]


To film 360 video, we need 360 degree camera. In the past, 360 degree filming is expensive job but nowadays many camera manufacturers are releasing 360 degree camera.


There are several product like these.

[Samsung Galaxy Gear 360; Photo from Samsung Electronics Website]

Which can connect to mobile phone and film the 360 degree video or stream 360 video on the Internet.

[Go Pro Omni; Photo from GoPro Website]

6 Go Pro array to film 360 degree film using Go Pro. Well known for professional way to film 360 degree film.


For our 360-degree film, we plan to use Go Pro Omni. Because we can hire from the university equipment rental store and most professional solution we’ve got. Go Pro Omni is basically a hardware to 6 Go Pro Hero4 Black to film 360-degree film. The Omni connects 6 cameras like a single camera and it makes film maker doesn’t need to sync up all footages. Moreover, It can film up to 8K video. After filming, we can edit the footage with dedicated software called ‘Autopano’ but also we can use general video editors such as Adobe Premiere since they also have 360 degree video editing feature.


As I said in the previous blog post, we will shoot 360-degree video about live music so we need performer. In the initial plan, we plan to film a professional band on Manchester Academy introduced by our group member Phil but they changed the schedule because of the production reasons and we cannot film the band.

Instead, we filmed the performance of Chris Walker, who is our group member and music creator as well.

Before filming we’ve checked how to film using Go Pro Omni and we’ve found out several interesting aspects.

  • Must use 4:3 ratio not 16:9
    • (Interesting!)
    • Since all professional videos are in 16:9, in 360 degree video filming, we must use 4:3 ratio to avoid crops.
  • 1440p should be used to film 4k
    • There are several options in Go Pro but to film in 4k, 1440p must be used.
  • All cameras must use same frame rate
    • It’s because not to suffer sync problem
  • Should tune exposures before filming
    • if one camera filming sun and another camera filming ground, it should be manually adjusted to avoid re-shoot
  • Even though we use remote from Go Pro, the video is out of sync and should be manually synced up.

For filming, we installed the Go Pro Omni on the microphone stand in the centre of the room. The room is low-light but Go Pro handle this well.

Here are some pictures of the filming.

During the filming, we found out several problems.

First, the power problem.

It is hard to source 6 Go Pro powers (which have short battery time) seamlessly during the shoot.

Second, sync problem!

Even though the Go Pro manufacturer said Omni can sync up video without any problem, it didn’t. On the day we found the Go Pro didn’t start at the same time and it means that there will be an issue regarding the sync of 6 Go Pros when stitched into one. We thought this would inevitably extend the edit period as we would need to sync them. However upon review we noticed all footage was syncronised. When we consulted the manual we learnt all the other 5 GoPros are slaved to the actions of camera 1 in the omni. After all we could confirm the frame does carry data signals, even if the power supply was faulty.

After shooting video we’ve found out that 360-degree video is not only interesting to watch for mobile devices with gyro sensor but also can be linked to VR, Virtual Reality.

If we film in 360 degree, we can use it as a VR contents. For example, VR concert footage can deliver viewers more lively footage from the concert. To do so, I personally found out it would be great if surround sound applied to the 360 degree video. Although it is worth mentioning that for VR users there is a minimum 50fps due to the nauseating effect of a lower frame rate. That’s just science and psycho-optics.


To sum up, these are the pre-production and filming process we’ve done. In the next post, we will talk about post-production (editing) and final feedback of our contents.






What’s in my work bag?

My work bag

Peli 1510

I can carry-on on the plane.

For general live sound gig, I carry

  • Fluke Multimeter
    • To test power
    • To test speaker ohm in storage
  • Gaffer / Electric / Glow tapes
    • Usually company provide them but I carry mine as a backup
  • Gerber Multi Tool
    • Knife, Screwdriver, Saw
  • Ratchet & Crescent Wrench
  • Screwdriver (Insulated)
  • Audio interface (for Smaart and PC playback)
    • Room Measurement / Speaker alignment
    • Laptop Playback in high quality
  • Measurement Microphone (Beyerdynamic MM1)
  • XLR 5m
    • For measurement microphone
    • Backup XLR cable (If there’s no spare XLR Cable)
  • TRS – XLR(F)
    • To avoid phantom power of the interface to mixer output
  • XLR Gender Bender
  • SpeakOn (NL4) Barrel
    • Usually company provide them but I must have one if company doesn’t have one.
  • K&M Stereo Bar
    • For Antenna (which is wrong way of installing RF Antenna but it works)
    • Stereo mic’ing
  • LP Mic Claw
    • For hanging audience microphones on truss
  • ZOOM H4
    • PGM source recording
  • Laptop DI Box
    • For VOG Playback
  • Rat Sound Tools XLR Sniffer
    • Really good tool to test the XLR cable its end apart from each other.
  • Hard-drive
    • Copying multi track
    • Test music tracks
  • USB Stick
    • Show file
    • Waves plugin license

For musical setup, I need to bring rigging related stuff as well.

Moreover, when I work with my own band, I need to bring all the microphones as well. (Tour Package!!)

Anyway, tools are vary from people to people but my list of tools like this.

[GRP PROJECT] Research

On the Internet, there are many videos about many things.

For example, this is the very first video on one of the most famous online video platform, YouTube.

“Me at the Zoo”

It’s short video clip man standing zoo and talking. It is from one of the YouTube’s engineer to test the YouTube platform.

Since online video platforms like YouTube, Vimeo start to emerge, people start to share their stories and creative ideas through video. Moreover, viewers start to watch those videos and talk about them.

In 2017, there are a lot of videos became famous and many video creators creating video as their primary job.

There are several famous ‘YouTubers’ who’s posting videos regularly. The genre of the videos are vary from gaming to tech to daily vlog.

[A video from famous mobile game YouTube ‘nickatnyte’]

[A video from influential vlog YouTuber ‘CaseyNeistat’]

Besides the daily-weekly basis videos, there are another set of contents called ‘viral’ which means hot contents in certain time.

Both videos look like meaningless in terms of music quality but there are more than 3 million views on each videos and almost every young adults at that time know about the contents.

We call this as a viral video. Nowadays, viral contents are becoming famous in Facebook, Twitter, Instagram as well since these SNS platforms start to do video services.

These are the general ideas about online video platform and creators. and let’s move on to assignment itself.

In the group assignment brief, we have two options.

  1. Short video
  2. Interactive video

We want to do short video but we want to have some interactive aspect as well. We discussed about the topic and find out we can do 360 video.

Since we are all interested in music, we want to do music related video.

So after we discussed, our initial plan is

  1. Concert video
  2. 360 degree Video

Since 360 concert / music related videos are becoming popular, we want to create one of them.

These are the examples we have found about 360 degree music related video.

[Example of 360 concert film; created by band itself]

[Example of 360 concert film; user/audience created]

These films are good for events such as concert because

  1. Viewers can engage with / closer to the video itself, because they can choose what they want to watch unlike the general video. (If viewer likes bass player, he or she can track the bass player in the 360 video)
  2. VR (I will talk about this later)

Back to our video, our script is basically this.

  • Band perform a song
  • Record the performance in 360 degree camera

Our storyboard / shot configuration came from this music video.

It looks like a good idea to us because since band playing in one single room around the 360 degree camera, viewer can clearly choose what they want to watch. Besides, they can watch whole band playing when there’s a wide shot.

In conclusion, we decided to do

  1. 360 degree music live video.
  2. Performers are around the camera in 360 degree.

In the next blog post, we will handle about the production itself and how it is created. (what gear we use and how)

Also, VR content as well.

Prep for band gig @ Academy 2

Screen Shot 2017-04-24 at 12.12.20 PM

I would like to show you how me to prepare for live sound event as a sound engineer especially, FOH Engineer.

  1. Technical Rider
    1. Input List
    2. Output List
    3. Sound Requirements
  2. Console Show File

First of all, for technical rider, I put FOH and Monitor requirements.

For this event, I knew the venue spec so I didn’t put any specific console, PA specs.


Stereo PA system with subwoofers

4 individual monitor wedges and drum fill

Vocal, Instrument Microphones and DIs (including 4 wireless microphone)

Cables (Besides the backline, instrument related cables)

Microphone stands and quantity

Next, I put stage plot.

It varies from the event to event.

BUT, One tip I can give you is DO NOT USE BAND MEMBER’S NAME. Sound Engineers don’t know band members’ name unless they are hired by band. Still, it is safer to put instrument / role name than band members’ name.

Lastly, In / Out list and if necessary, monitor requirements.

For this event, I use 25 inputs and 10 outputs.

Screen Shot 2017-04-24 at 12.20.51 PM

I usually carry all microphones but for this event, I hired all microphones and DIs so my choices are limited.

The technical rider varies from band to band, event to event so there’s no wrong way or right way but those things are can be put in the general technical rider.

Bullet proof / dodge superheros

There are many superhero movies and dramas nowadays and each super heroes have own characteristics when they confront their enemies. For this Creative Media Production assignment, I would like to do super cuts from movies and videos that heroes dodging bullet.

The reason I choose this topic is my love of superheros / SF style movie and from these movies heroes always dodge bullet (or maybe bullets are always dodging heroes).

Then, I would like to make series of scene to one video.

The first video I’ve remembered is Luke Cage since I watched Marvel Luke Cage few months ago. It was really interesting TV series that normally heroes have multiple skills and fancy suits but Marvel: Luke Cage’s distinctive feature as hero is only bullet proof. Because of that, there are several good scenes in the Luke Cage that he confront armed (by gun) enemies with bare hands.

When you are thinking about bullet scenes, you cannot help thinking about Matrix. Technically, it’s not superhero movie but still it is about future / SF / superpower. Second scene I’ve remembered is a scene from Superman Returns. In this scene, superman is literally bullet-proof from machine gun. The reason I love this scene is there’s sense of humor that enemy shoot his eye and bullet didn’t go through his eye but fell on the ground. The idea, camera angle for this scene is amazing.

Moreover, there are many TV / movies even anime including scenes heroes dodging bullets / missiles from enemies.

For the future, I plan to do same series with non-superheros but dodging bullets really well. (like Jason Borne, Jack Bauer, Tom Cruise).

For editing, I used Premiere Pro and Pro Tools. Premiere Pro is used for editing / cutting video and Pro Tools for level-match audio, and audio transitions for each videos.


668 Zerro (2011) Equilibrium – best fight scene, Available at: https://www.youtube.com/watch?v=SBGVwkEJhYs (Accessed: 17th March 2017).

Dermaniac (2012) Matrix bullet time [HD], Available at: https://www.youtube.com/watch?v=3c8Dl2c1whM (Accessed: 17th March 2017).

Eststallion (2012) 총알을 피하는 방법, Available at: https://www.youtube.com/watch?v=X-4xBy0V6-o (Accessed: 17th March 2017).

Netflix US & Canada (2016) Marvel’s Luke Cage | SDCC teaser [HD] | Netflix, Available at: https://www.youtube.com/watch?v=Ymw5uvViqPU (Accessed: 17th March 2017).


Filming conference about North Korea.

I’m officially filming for ‘I escaped from North Korea’.

This conference is mainly about North Korean’s life, and I’m filming this to make documentary about this event.

It is really rare opportunity to hear about NK’s life in the UK, so there are more than 600 people (actually venue’s maximum seating capacity is 600) registered for the event and many people still want to get a ticket but it’s officially sold out.

For this reason, I plan to release full version of this soon.

Before releasing that, I would like to release the film about the prepping for conference; vlog using iPhone.

I used several apps with filters such as ‘paper cam’, and some timelapse effects like ‘hyperlapse’.


Hello, now…

This is the actual video


….and this is my one and only toolbox!


Oh how original. Another blog kicked off with the overused phrase ‘Hello World’, like we’re some kind of newborn deer flopping onto the forest floor, still covered in afterbirth.

An oaky afterbirth?

Kind of an oaky afterbirth.

Anyhow. This is the blog which will be tracking our progress as we continue to learn all there is about content production in this modern world.


Nothing really more to say, have a few ideas about some videos coming up.

We’ll keep you posted.

They’re forcing us to.